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<channel>
	<title>arts &#8211; Contemporary Racism</title>
	<atom:link href="https://contemporaryracism.org/category/arts/feed/" rel="self" type="application/rss+xml" />
	<link>https://contemporaryracism.org</link>
	<description>An academic blog about whiteness, implicit bias, and systemic racism</description>
	<lastBuildDate>Thu, 12 Oct 2023 20:08:28 +0000</lastBuildDate>
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		<title>The Unseen Narratives: Deconstructing Why Women of Color Miss the Disney Fairytale Love</title>
		<link>https://contemporaryracism.org/135806/the-unseen-narratives-deconstructing-why-women-of-color-miss-the-disney-fairytale-love/</link>
					<comments>https://contemporaryracism.org/135806/the-unseen-narratives-deconstructing-why-women-of-color-miss-the-disney-fairytale-love/#comments</comments>
		
		<dc:creator><![CDATA[Kaylin Foss]]></dc:creator>
		<pubDate>Thu, 12 Oct 2023 20:08:15 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Disney]]></category>
		<category><![CDATA[love]]></category>
		<guid isPermaLink="false">https://contemporaryracism.org/?p=135806</guid>

					<description><![CDATA[In a world where fairy tales often depict the quintessential love story, women of color find themselves facing unique challenges in the realm of dating and relationships. The Disney fairytale, with its conventional representations of love and romance, seldom mirrors the complex realities experienced by women of color. Narratives of these women navigating a dating landscape that is often subtly biased and sometimes overtly discriminatory. Disney princesses have long epitomized the romantic ideal &#8211; delicate, ... <p class="read-more-container"><a title="The Unseen Narratives: Deconstructing Why Women of Color Miss the Disney Fairytale Love" class="read-more button" href="https://contemporaryracism.org/135806/the-unseen-narratives-deconstructing-why-women-of-color-miss-the-disney-fairytale-love/#more-135806" aria-label="Read more about The Unseen Narratives: Deconstructing Why Women of Color Miss the Disney Fairytale Love">Read more</a></p>]]></description>
		
					<wfw:commentRss>https://contemporaryracism.org/135806/the-unseen-narratives-deconstructing-why-women-of-color-miss-the-disney-fairytale-love/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">135806</post-id>	</item>
		<item>
		<title>The White Savior Complex</title>
		<link>https://contemporaryracism.org/123261/the-white-savior-complex/</link>
					<comments>https://contemporaryracism.org/123261/the-white-savior-complex/#comments</comments>
		
		<dc:creator><![CDATA[Emily Garber]]></dc:creator>
		<pubDate>Mon, 30 Nov 2020 15:16:44 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[whiteness]]></category>
		<category><![CDATA[The Blind Side]]></category>
		<category><![CDATA[white savior complex]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=123261</guid>

					<description><![CDATA[The White Savior Complex is something that has been around for decades, and although the intent might seem pure, it is actually much more sinister than it appears. Seen in the real-world and portrayed in movies, I’ve seen this topic being discussed more since the Black Lives Matter movement where people are starting to critically analyze society. So what is The White Savior Complex and why is it harmful? Well, it is a white person’s ... <p class="read-more-container"><a title="The White Savior Complex" class="read-more button" href="https://contemporaryracism.org/123261/the-white-savior-complex/#more-123261" aria-label="Read more about The White Savior Complex">Read more</a></p>]]></description>
		
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			<slash:comments>13</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">123261</post-id>	</item>
		<item>
		<title>Monochromatic Colorblind Casting</title>
		<link>https://contemporaryracism.org/122873/monochromatic-colorblind-casting/</link>
					<comments>https://contemporaryracism.org/122873/monochromatic-colorblind-casting/#comments</comments>
		
		<dc:creator><![CDATA[Morgana Wallace]]></dc:creator>
		<pubDate>Sat, 24 Oct 2020 15:06:10 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[colorblind ideology]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[racist imagery]]></category>
		<category><![CDATA[Stepin Fetchit]]></category>
		<category><![CDATA[whitewash]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=122873</guid>

					<description><![CDATA[In the performance world of theater, television, and film, casting without regard to actors’ race or the race of the characters they’ll be portraying is known as “colorblind casting.” It’s a common practice now on Broadway, with Filipina Lea Salonga portraying white French character of Éponine in ?Les Misérables? and Puerto Rican Lin-Manuel Miranda portraying the white founding father Alexander Hamilton, among many other people of color being cast to portray traditionally white roles. The ... <p class="read-more-container"><a title="Monochromatic Colorblind Casting" class="read-more button" href="https://contemporaryracism.org/122873/monochromatic-colorblind-casting/#more-122873" aria-label="Read more about Monochromatic Colorblind Casting">Read more</a></p>]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">122873</post-id>	</item>
		<item>
		<title>White History Isn’t History</title>
		<link>https://contemporaryracism.org/122793/white-history-isnt-history/</link>
		
		<dc:creator><![CDATA[Adebisi Adetoye]]></dc:creator>
		<pubDate>Sun, 18 Oct 2020 15:42:54 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[1619 Project]]></category>
		<category><![CDATA[master narrative]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=122793</guid>

					<description><![CDATA[This past summer I watched Hamilton the musical for the first time. I was in awe of the Black and Brown people playing our founding fathers and the history that the show made, but I was also aware of its historical inaccuracies. This was the thought that was running through my head as I listened to the podcast for the 1619 Project. I am not a historian, but I’ve always prided myself in trying to ... <p class="read-more-container"><a title="White History Isn’t History" class="read-more button" href="https://contemporaryracism.org/122793/white-history-isnt-history/#more-122793" aria-label="Read more about White History Isn’t History">Read more</a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">122793</post-id>	</item>
		<item>
		<title>The Phantom Menace was Racist and Here is Why That Matters</title>
		<link>https://contemporaryracism.org/27658/the-phantom-menace-was-racist-and-here-is-why-that-matters/</link>
		
		<dc:creator><![CDATA[D. Adamczak]]></dc:creator>
		<pubDate>Sun, 08 Dec 2019 17:19:36 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[racist imagery]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Star Wars]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=27658</guid>

					<description><![CDATA[With a title as grandiose as that, it is easy to predict reactions from those who do not want their beloved franchise besmirched. As someone who has loved the franchise since I was a toddler, it was difficult to come to terms with some of the more problematic issues that take place within the ‘first’ Star Wars movie. Opening one’s mind to see the bias or prejudice attitudes taken by a series is a hard ... <p class="read-more-container"><a title="The Phantom Menace was Racist and Here is Why That Matters" class="read-more button" href="https://contemporaryracism.org/27658/the-phantom-menace-was-racist-and-here-is-why-that-matters/#more-27658" aria-label="Read more about The Phantom Menace was Racist and Here is Why That Matters">Read more</a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27658</post-id>	</item>
		<item>
		<title>Highlighting Black Artists: Kehinde Wiley</title>
		<link>https://contemporaryracism.org/27607/highlighting-black-artists-kehinde-wiley/</link>
		
		<dc:creator><![CDATA[M_Moss]]></dc:creator>
		<pubDate>Sun, 08 Dec 2019 16:15:28 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[blackness]]></category>
		<category><![CDATA[Kehinde Wiley]]></category>
		<category><![CDATA[Obama]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=27607</guid>

					<description><![CDATA[Painting is about the world that we live in. Black men live in the world. My choice is to include them. This is my way of saying yes to us. -Kehinde Wiley I think that an interesting way to examine racism and its various permutations within the U.S., is to look at art created by Black American artists. In my experience, more museums have begun to feature exhibits by black artists and many of these ... <p class="read-more-container"><a title="Highlighting Black Artists: Kehinde Wiley" class="read-more button" href="https://contemporaryracism.org/27607/highlighting-black-artists-kehinde-wiley/#more-27607" aria-label="Read more about Highlighting Black Artists: Kehinde Wiley">Read more</a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27607</post-id>	</item>
		<item>
		<title>The Human Race</title>
		<link>https://contemporaryracism.org/27556/the-human-race/</link>
		
		<dc:creator><![CDATA[Devin]]></dc:creator>
		<pubDate>Sun, 08 Dec 2019 14:34:58 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[colorblind ideology]]></category>
		<category><![CDATA[Boston]]></category>
		<category><![CDATA[street performers]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=27556</guid>

					<description><![CDATA[This weekend, I went to Boston with my family. It was an extremely cold day, but I still loved exploring the city and the history it had to offer. There are a great number of street performers in this city, and we stopped for one of them-a group of men were performing a dance routine, and, at the end, they would flip over the hunched backs of four grown men standing next to each other. ... <p class="read-more-container"><a title="The Human Race" class="read-more button" href="https://contemporaryracism.org/27556/the-human-race/#more-27556" aria-label="Read more about The Human Race">Read more</a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">27556</post-id>	</item>
		<item>
		<title>Colorblind Casting: What does it mean, and Who benefits?</title>
		<link>https://contemporaryracism.org/25460/colorblind-casting-what-does-it-mean-and-who-benefits/</link>
					<comments>https://contemporaryracism.org/25460/colorblind-casting-what-does-it-mean-and-who-benefits/#comments</comments>
		
		<dc:creator><![CDATA[M_Moss]]></dc:creator>
		<pubDate>Mon, 02 Dec 2019 22:27:20 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[colorblind ideology]]></category>
		<category><![CDATA[Into the Woods]]></category>
		<category><![CDATA[theater]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=25460</guid>

					<description><![CDATA[Colorblindness is a way of talking, or more accurately, not talking about race. It is defined as “the avoidance of talking about race” (Apfelbaum et. al., 2008) and “an approach to managing diversity in which intergroup distinctions and considerations are deemphasized” (Apfelbaum et. al., 2010). Or in other words, it’s the melting pot myth, the idea that “we are all the same”, or that “we shouldn’t see color”. It manifests itself in classrooms when teachers ... <p class="read-more-container"><a title="Colorblind Casting: What does it mean, and Who benefits?" class="read-more button" href="https://contemporaryracism.org/25460/colorblind-casting-what-does-it-mean-and-who-benefits/#more-25460" aria-label="Read more about Colorblind Casting: What does it mean, and Who benefits?">Read more</a></p>]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">25460</post-id>	</item>
		<item>
		<title>Nipsey Hussle&#8217;s Death</title>
		<link>https://contemporaryracism.org/5177/nipsey-hussles-death/</link>
					<comments>https://contemporaryracism.org/5177/nipsey-hussles-death/#comments</comments>
		
		<dc:creator><![CDATA[Maia Brint]]></dc:creator>
		<pubDate>Wed, 08 May 2019 13:23:10 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[implicit bias]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[CNN]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=5177</guid>

					<description><![CDATA[On March 31st, 2019, Nipsey Hussle, otherwise known as, Ermias Joseph Asghedom, an up and coming rapper was shot right outside of his store in the front parking lot. Prior to the shooting, the perpetrator and him had gotten in a small altercation inside the store. Nipsey’s community was immediately up in arms about his untimely death; they had a vigil for him in his parking lot the night he was shot. In a CNN ... <p class="read-more-container"><a title="Nipsey Hussle&#8217;s Death" class="read-more button" href="https://contemporaryracism.org/5177/nipsey-hussles-death/#more-5177" aria-label="Read more about Nipsey Hussle&#8217;s Death">Read more</a></p>]]></description>
		
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			<slash:comments>2</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">5177</post-id>	</item>
		<item>
		<title>“The only thing that separates women of color from anyone else is opportunity” &#8211; Viola Davis</title>
		<link>https://contemporaryracism.org/3699/the-only-thing-that-separates-women-of-color-from-anyone-else-is-opportunity-viola-davis/</link>
					<comments>https://contemporaryracism.org/3699/the-only-thing-that-separates-women-of-color-from-anyone-else-is-opportunity-viola-davis/#comments</comments>
		
		<dc:creator><![CDATA[Julia Beatley]]></dc:creator>
		<pubDate>Tue, 01 May 2018 11:06:57 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[representation]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3699</guid>

					<description><![CDATA[Stereotypes of gender and race permeate our everyday discourses from classrooms to politics and throughout the media. When we aren’t viewing individuals through the impressions granted by stereotypes, we are commonly white-washing our outlooks across matters; from mental illness, physical health, poverty, education and so much more, we downplay the intersections of race and gender. There is typically little room in society for minority groups to speak up for themselves, to challenge the stereotypes allocated ... <p class="read-more-container"><a title="“The only thing that separates women of color from anyone else is opportunity” &#8211; Viola Davis" class="read-more button" href="https://contemporaryracism.org/3699/the-only-thing-that-separates-women-of-color-from-anyone-else-is-opportunity-viola-davis/#more-3699" aria-label="Read more about “The only thing that separates women of color from anyone else is opportunity” &#8211; Viola Davis">Read more</a></p>]]></description>
		
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			<slash:comments>2</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3699</post-id>	</item>
		<item>
		<title>Silence is a Luxury</title>
		<link>https://contemporaryracism.org/3691/silence-is-a-luxury/</link>
					<comments>https://contemporaryracism.org/3691/silence-is-a-luxury/#comments</comments>
		
		<dc:creator><![CDATA[Morgan Weiss]]></dc:creator>
		<pubDate>Mon, 23 Apr 2018 18:56:49 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[privilege]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[whiteness]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3691</guid>

					<description><![CDATA[The idea of white privilege is a very controversial topic for many, primarily because many white individuals do not acknowledge their race and its meaning, are not aware of the advantages and benefits they receive because of their race, and do not see how their whiteness affects their perception of society. However, white privilege and society have a large intersection because, “when it comes to privilege, it doesn’t matter who we really are. What matters ... <p class="read-more-container"><a title="Silence is a Luxury" class="read-more button" href="https://contemporaryracism.org/3691/silence-is-a-luxury/#more-3691" aria-label="Read more about Silence is a Luxury">Read more</a></p>]]></description>
		
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			<slash:comments>3</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3691</post-id>	</item>
		<item>
		<title>Could Be &#8220;Crazy In Love,&#8221; But Only If You&#8217;re…</title>
		<link>https://contemporaryracism.org/3502/could-be-crazy-in-love-but-only-if-youre/</link>
					<comments>https://contemporaryracism.org/3502/could-be-crazy-in-love-but-only-if-youre/#comments</comments>
		
		<dc:creator><![CDATA[caroline_whiting]]></dc:creator>
		<pubDate>Mon, 26 Feb 2018 18:48:00 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[colorism]]></category>
		<category><![CDATA[mathew knowles]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3502</guid>

					<description><![CDATA[I recently read an article from the website Ebony that began circulating after the Grammy’s which features an interview with Mathew Knowles, father and former manager of Beyoncé and Solange Knowles. The first part of the interview discusses Mathew Knowles’s internal struggle with “colorism”, which can essentially be described as prejudiced treatment or preferential treatment of individuals of one’s same race based on their skin color. I had personally never heard this word before, but ... <p class="read-more-container"><a title="Could Be &#8220;Crazy In Love,&#8221; But Only If You&#8217;re…" class="read-more button" href="https://contemporaryracism.org/3502/could-be-crazy-in-love-but-only-if-youre/#more-3502" aria-label="Read more about Could Be &#8220;Crazy In Love,&#8221; But Only If You&#8217;re…">Read more</a></p>]]></description>
		
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			<slash:comments>3</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3502</post-id>	</item>
		<item>
		<title>Social Stigma Against Black Men and Mental Health</title>
		<link>https://contemporaryracism.org/3350/social-stigma-against-black-men-and-mental-health/</link>
					<comments>https://contemporaryracism.org/3350/social-stigma-against-black-men-and-mental-health/#comments</comments>
		
		<dc:creator><![CDATA[Ashley Kemper]]></dc:creator>
		<pubDate>Mon, 12 Dec 2016 01:49:19 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[health]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Kanye West]]></category>
		<category><![CDATA[Kid Cudi]]></category>
		<category><![CDATA[mental illness]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3350</guid>

					<description><![CDATA[After engaging in an onstage rant and ending his concert prematurely, it was reported in November that rapper Kanye West had suffered a “nervous breakdown.” After going on a lengthy tirade about a personal conflict with Jay-Z and Beyoncé, West warned, “Get ready to have a field day press, ‘cause the show’s over,” dropped the microphone, and walked offstage. While the rapper’s antics have become rather commonplace and even expected, something was different this time. ... <p class="read-more-container"><a title="Social Stigma Against Black Men and Mental Health" class="read-more button" href="https://contemporaryracism.org/3350/social-stigma-against-black-men-and-mental-health/#more-3350" aria-label="Read more about Social Stigma Against Black Men and Mental Health">Read more</a></p>]]></description>
		
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			<slash:comments>2</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3350</post-id>	</item>
		<item>
		<title>Is History Something to Sing About?</title>
		<link>https://contemporaryracism.org/3343/is-history-something-to-sing-about/</link>
					<comments>https://contemporaryracism.org/3343/is-history-something-to-sing-about/#comments</comments>
		
		<dc:creator><![CDATA[a_note]]></dc:creator>
		<pubDate>Mon, 12 Dec 2016 01:40:12 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[explicit bias]]></category>
		<category><![CDATA[Hairspray]]></category>
		<category><![CDATA[television]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3343</guid>

					<description><![CDATA[This past week was the premier of the live re-creation of “Hairspray” on TV. The movie revolves around a mother, daughter pair that go through their typical ups and downs during the ‘60s. In addition, it revolves around a TV show that stars students, primarily white except for one day a month which is titled Negro day. The movie tackles the ‘60s and the difficulties between whites and blacks and the acceptance of those of ... <p class="read-more-container"><a title="Is History Something to Sing About?" class="read-more button" href="https://contemporaryracism.org/3343/is-history-something-to-sing-about/#more-3343" aria-label="Read more about Is History Something to Sing About?">Read more</a></p>]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3343</post-id>	</item>
		<item>
		<title>Common’s New Album is Anything But</title>
		<link>https://contemporaryracism.org/3313/commons-new-album-is-anything-but/</link>
					<comments>https://contemporaryracism.org/3313/commons-new-album-is-anything-but/#comments</comments>
		
		<dc:creator><![CDATA[Brittany Smith]]></dc:creator>
		<pubDate>Mon, 07 Nov 2016 19:52:16 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[BlackLivesMatter]]></category>
		<category><![CDATA[mass incarceration]]></category>
		<category><![CDATA[Ava DuVerney]]></category>
		<category><![CDATA[Common]]></category>
		<category><![CDATA[Michelle Alexander]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[police brutality]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[Ta-Nehisi Coates]]></category>
		<category><![CDATA[Trayvon Martin]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3313</guid>

					<description><![CDATA[This week, the rapper Common released an album titled Black America Again. It’s genius. Pure activist genius, right before Election Day. His music is complex and interesting, his lyrics exploring the nuances of systemic racism in the United States. He focuses on an array of issues, including mass incarceration, the injustices occurring in Flint, Michigan, and cultural stereotypes, which marginalize people of color and perpetuate systemic inequality. “The Day Women Took Over” highlights the accomplishments ... <p class="read-more-container"><a title="Common’s New Album is Anything But" class="read-more button" href="https://contemporaryracism.org/3313/commons-new-album-is-anything-but/#more-3313" aria-label="Read more about Common’s New Album is Anything But">Read more</a></p>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3313</post-id>	</item>
		<item>
		<title>Directorial Racial Choices and their Implications</title>
		<link>https://contemporaryracism.org/3261/directorial-racial-choices-and-their-implications/</link>
		
		<dc:creator><![CDATA[jgainsboro]]></dc:creator>
		<pubDate>Sun, 30 Oct 2016 15:07:32 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[microaggressions]]></category>
		<category><![CDATA[theater]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3261</guid>

					<description><![CDATA[I grew up in a mostly-white suburban town.  However, I was a part of the musical Once On This Island multiple times.  The premise of this musical is that there is a peasant girl (who was traditionally played by a black, female actor) who falls in love with a rich man (traditionally played by a white, male actor). The entire show centers around how these two very different worlds are not allowed to associate and talk to ... <p class="read-more-container"><a title="Directorial Racial Choices and their Implications" class="read-more button" href="https://contemporaryracism.org/3261/directorial-racial-choices-and-their-implications/#more-3261" aria-label="Read more about Directorial Racial Choices and their Implications">Read more</a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3261</post-id>	</item>
		<item>
		<title>Designated Survivor: A Hypersensitive Culture?</title>
		<link>https://contemporaryracism.org/3256/3256/</link>
					<comments>https://contemporaryracism.org/3256/3256/#comments</comments>
		
		<dc:creator><![CDATA[a_note]]></dc:creator>
		<pubDate>Sun, 30 Oct 2016 14:59:00 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[social categorization]]></category>
		<category><![CDATA[Black-ish]]></category>
		<category><![CDATA[Designated Survivor]]></category>
		<category><![CDATA[television]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3256</guid>

					<description><![CDATA[I sit down every Wednesday to watch a new show called Designated Survivor. The show revolves around the idea of the designated survivor: the person the government picks to stay home when holding the State of the Union address at the capitol. The reasoning behind the idea of having a designated survivor is in case something were to happen to all three cabinets of the government during the address, there is someone to take over ... <p class="read-more-container"><a title="Designated Survivor: A Hypersensitive Culture?" class="read-more button" href="https://contemporaryracism.org/3256/3256/#more-3256" aria-label="Read more about Designated Survivor: A Hypersensitive Culture?">Read more</a></p>]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3256</post-id>	</item>
		<item>
		<title>Art Imitating Life?: &#8220;Disgraced&#8221; at McCarter Theater</title>
		<link>https://contemporaryracism.org/3253/art-imitating-life-disgraced-at-mccarter-theater/</link>
		
		<dc:creator><![CDATA[taylor_helena]]></dc:creator>
		<pubDate>Sun, 30 Oct 2016 14:45:50 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[islamaphobia]]></category>
		<category><![CDATA[microaggressions]]></category>
		<category><![CDATA[theater]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3253</guid>

					<description><![CDATA[Every semester, the theatre department at Muhlenberg College requires students taking certain theatre classes to see a production off campus. The Pulitzer Prize winning play Disgraced by Ayad Akhtar at Princeton’s the McCarter Theater was chosen as that production for this semester. It was critically acclaimed when it premiered on Broadway and I was very excited to see it because I had not previously read the play before. Everything that occurred on stage came as ... <p class="read-more-container"><a title="Art Imitating Life?: &#8220;Disgraced&#8221; at McCarter Theater" class="read-more button" href="https://contemporaryracism.org/3253/art-imitating-life-disgraced-at-mccarter-theater/#more-3253" aria-label="Read more about Art Imitating Life?: &#8220;Disgraced&#8221; at McCarter Theater">Read more</a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3253</post-id>	</item>
		<item>
		<title>We&#8217;re One in the Same?</title>
		<link>https://contemporaryracism.org/3226/were-one-in-the-same/</link>
					<comments>https://contemporaryracism.org/3226/were-one-in-the-same/#comments</comments>
		
		<dc:creator><![CDATA[mtroyka]]></dc:creator>
		<pubDate>Sun, 02 Oct 2016 17:46:27 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[colorblind ideology]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[dance history]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3226</guid>

					<description><![CDATA[In class this week, we discussed the perspective that some have of “variety is the spice of life” and to how this can quickly turn into the equally troublesome perspective of being “color-blind.” Being so celebratory of multiculturalism can easily turn into race erasure. Regarding diversity in race as simply variety or something to keep life interesting is diminishing of the serious struggles that people of all races have had to endure, past and present. ... <p class="read-more-container"><a title="We&#8217;re One in the Same?" class="read-more button" href="https://contemporaryracism.org/3226/were-one-in-the-same/#more-3226" aria-label="Read more about We&#8217;re One in the Same?">Read more</a></p>]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3226</post-id>	</item>
		<item>
		<title>Accusations of Reverse Racism on Hamilton: An American Musical</title>
		<link>https://contemporaryracism.org/3215/accusations-of-reverse-racism-on-hamilton-an-american-musical/</link>
					<comments>https://contemporaryracism.org/3215/accusations-of-reverse-racism-on-hamilton-an-american-musical/#comments</comments>
		
		<dc:creator><![CDATA[Ashley Kemper]]></dc:creator>
		<pubDate>Sun, 25 Sep 2016 22:10:13 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[employment]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[broadway]]></category>
		<category><![CDATA[Hamilton]]></category>
		<category><![CDATA[reverse racism]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3215</guid>

					<description><![CDATA[After taking home a record-setting 11 victories at the 2016 Tony’s, performing for the president at the White House multiple times, and selling tickets for record-breaking prices, there is no arguing that the success of the Broadway musical phenomena, Hamilton, has been revolutionary in its own right. However, these accomplishments have not come without controversy. Earlier this year, a casting call for Hamilton was released on social media, indicating that the producers were “Seeking NON-WHITE ... <p class="read-more-container"><a title="Accusations of Reverse Racism on Hamilton: An American Musical" class="read-more button" href="https://contemporaryracism.org/3215/accusations-of-reverse-racism-on-hamilton-an-american-musical/#more-3215" aria-label="Read more about Accusations of Reverse Racism on Hamilton: An American Musical">Read more</a></p>]]></description>
		
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			<slash:comments>2</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3215</post-id>	</item>
		<item>
		<title>Contesting White Feminism</title>
		<link>https://contemporaryracism.org/3208/contesting-white-feminism/</link>
					<comments>https://contemporaryracism.org/3208/contesting-white-feminism/#comments</comments>
		
		<dc:creator><![CDATA[VictoriaJean]]></dc:creator>
		<pubDate>Sun, 25 Sep 2016 21:08:37 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Beyonce Knowles]]></category>
		<category><![CDATA[feminism]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3208</guid>

					<description><![CDATA[In my feminist media studies class, we’ve moved into the topic of the representation of black women in the media and how mainstream feminism is essentially white feminism, and neglects to acknowledge women of color. Over the last few years however, Beyoncé has really been promoting feminist ideas in her work, becoming a strong feminist voice for women of color. She has always championed the strong and independent woman even back in her TLC days, ... <p class="read-more-container"><a title="Contesting White Feminism" class="read-more button" href="https://contemporaryracism.org/3208/contesting-white-feminism/#more-3208" aria-label="Read more about Contesting White Feminism">Read more</a></p>]]></description>
		
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			<slash:comments>3</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3208</post-id>	</item>
		<item>
		<title>Listen to Tupac. Really listen to Tupac.</title>
		<link>https://contemporaryracism.org/3203/listen-to-tupac-really-listen-to-tupac/</link>
					<comments>https://contemporaryracism.org/3203/listen-to-tupac-really-listen-to-tupac/#comments</comments>
		
		<dc:creator><![CDATA[Haleigh Jacob]]></dc:creator>
		<pubDate>Sun, 25 Sep 2016 20:52:10 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[racial discourse]]></category>
		<category><![CDATA[economic inequality]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[responsibility]]></category>
		<category><![CDATA[Tupac Shakur]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3203</guid>

					<description><![CDATA[Tuesday, September 13, 2016 marked the 20th anniversary of the death of Tupac Shakur. Tupac was a prominent hip-hop artist in the early 1990s well known for his deep, progressive lyrics in popular songs such as “Changes” and “Keep Ya Head Up.” However, he was more than just a rapper – he was a poet, a philosopher, and an activist. From a young age, he expressed incredible insight on contentious topics such as education, poverty, ... <p class="read-more-container"><a title="Listen to Tupac. Really listen to Tupac." class="read-more button" href="https://contemporaryracism.org/3203/listen-to-tupac-really-listen-to-tupac/#more-3203" aria-label="Read more about Listen to Tupac. Really listen to Tupac.">Read more</a></p>]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3203</post-id>	</item>
		<item>
		<title>Racism in Comedy</title>
		<link>https://contemporaryracism.org/3193/racism-in-comedy/</link>
					<comments>https://contemporaryracism.org/3193/racism-in-comedy/#comments</comments>
		
		<dc:creator><![CDATA[Brittany Smith]]></dc:creator>
		<pubDate>Sun, 25 Sep 2016 20:05:56 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[Aziz Ansari]]></category>
		<category><![CDATA[comedy]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3193</guid>

					<description><![CDATA[Every first and third Tuesday, Brew Works in Bethlehem hosts an open mic night for aspiring comedians. I have attended several events, particularly because my friend is interested in becoming involved in the business. Good beer and good laughs – what could go wrong? Every first and third Tuesday, I find myself privy to the uncomfortable silence following racist, sexist, or homophobic jokes. Just this week, a man walked up to the stage and said ... <p class="read-more-container"><a title="Racism in Comedy" class="read-more button" href="https://contemporaryracism.org/3193/racism-in-comedy/#more-3193" aria-label="Read more about Racism in Comedy">Read more</a></p>]]></description>
		
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			<slash:comments>3</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3193</post-id>	</item>
		<item>
		<title>Which one is better?</title>
		<link>https://contemporaryracism.org/3135/which-one-is-better/</link>
					<comments>https://contemporaryracism.org/3135/which-one-is-better/#comments</comments>
		
		<dc:creator><![CDATA[Julisa Fabian]]></dc:creator>
		<pubDate>Mon, 09 May 2016 00:44:22 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[implicit bias]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[broadway]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[representation]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3135</guid>

					<description><![CDATA[For my final blog post I decided to revisit the question that kind of stuck with me during our last class. I don’t remember the question exactly but it essentially said: isn’t bad media representation better than none because it is a start? I sort of answered it in class, but I was still struggling after. And I still, sort of, am struggling with it now. So I’m determined to find an answer by the ... <p class="read-more-container"><a title="Which one is better?" class="read-more button" href="https://contemporaryracism.org/3135/which-one-is-better/#more-3135" aria-label="Read more about Which one is better?">Read more</a></p>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3135</post-id>	</item>
		<item>
		<title>Ignorance Taking Form as a Need to Identify with Music</title>
		<link>https://contemporaryracism.org/3036/ignorance-taking-form-as-a-need-to-identify-with-music/</link>
		
		<dc:creator><![CDATA[Steven Feldman]]></dc:creator>
		<pubDate>Mon, 28 Mar 2016 15:24:39 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[Beyonce Knowles]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3036</guid>

					<description><![CDATA[This post was sparked by a conversation between a White friend of mine and a White woman about Beyoncé’s song Formation. The woman believed that many White people felt betrayed by Beyoncé because her newest song did not allow for White people to relate to it. Additionally, this woman believed that the song depicted Black people as dominant (but she also believed the song had nothing to do with race). Although she did not fully consider ... <p class="read-more-container"><a title="Ignorance Taking Form as a Need to Identify with Music" class="read-more button" href="https://contemporaryracism.org/3036/ignorance-taking-form-as-a-need-to-identify-with-music/#more-3036" aria-label="Read more about Ignorance Taking Form as a Need to Identify with Music">Read more</a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3036</post-id>	</item>
		<item>
		<title>&#8220;Cultural Appropriation” &#8211; Where Do We Draw the Line?</title>
		<link>https://contemporaryracism.org/3021/cultural-appropriation-where-do-we-draw-the-line/</link>
					<comments>https://contemporaryracism.org/3021/cultural-appropriation-where-do-we-draw-the-line/#comments</comments>
		
		<dc:creator><![CDATA[Steven Feldman]]></dc:creator>
		<pubDate>Sat, 12 Mar 2016 23:55:35 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[Allentown Art Museum]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3021</guid>

					<description><![CDATA[One of the most widely used terms in discussions about race is the phrase “cultural appropriation.” And yet despite its frequent usage, cultural appropriation is one of the most controversial concepts. It is especially difficult to understand in conversation with the arts. The primary purpose of the arts is arguably to provide a medium for creative and emotional expression of the artist(s). The visual arts allow for creative expression devoid of auditory stimuli. The performing ... <p class="read-more-container"><a title="&#8220;Cultural Appropriation” &#8211; Where Do We Draw the Line?" class="read-more button" href="https://contemporaryracism.org/3021/cultural-appropriation-where-do-we-draw-the-line/#more-3021" aria-label="Read more about &#8220;Cultural Appropriation” &#8211; Where Do We Draw the Line?">Read more</a></p>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3021</post-id>	</item>
		<item>
		<title>Don’t We All Culturally Appropriate?</title>
		<link>https://contemporaryracism.org/3004/dont-we-all-culturally-appropriate/</link>
					<comments>https://contemporaryracism.org/3004/dont-we-all-culturally-appropriate/#comments</comments>
		
		<dc:creator><![CDATA[kparker17]]></dc:creator>
		<pubDate>Wed, 24 Feb 2016 15:28:07 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[dance history]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=3004</guid>

					<description><![CDATA[In light of the recent posts regarding the performance of historical dance works by Muhlenberg College students as cultural appropriation, I find myself questioning cultural appropriation, its nature, what is appropriate, and what is not. To put it even more simply, can anyone really emulate someone else’s experience via performance? And if not, what is the point of performance, if it is not to express an experience of an artist? In my opinion, it comes ... <p class="read-more-container"><a title="Don’t We All Culturally Appropriate?" class="read-more button" href="https://contemporaryracism.org/3004/dont-we-all-culturally-appropriate/#more-3004" aria-label="Read more about Don’t We All Culturally Appropriate?">Read more</a></p>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3004</post-id>	</item>
		<item>
		<title>From Blackface to Blaxploitation: Racism and Representation in Entertainment</title>
		<link>https://contemporaryracism.org/2998/from-blackface-to-blaxploitation-racism-and-representation-in-entertainment/</link>
		
		<dc:creator><![CDATA[jsykgrl]]></dc:creator>
		<pubDate>Wed, 24 Feb 2016 15:14:33 +0000</pubDate>
				<category><![CDATA[arts]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[explicit bias]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Black face]]></category>
		<category><![CDATA[blaxploitation]]></category>
		<category><![CDATA[buzzfeed]]></category>
		<category><![CDATA[OscarsSoWhite]]></category>
		<guid isPermaLink="false">http://contemporaryracism.org/?p=2998</guid>

					<description><![CDATA[At some point this week, I came across a BuzzFeed post entitled, “The BuzzFeed Black History Reading List,” which included a series of essays and articles reflecting upon the end of Black History Month. One of the articles in this post shines an accusatory spotlight down on Hollywood’s use of Blackface today. After some initial disbelief and some precursory digging, I found the amount of performers who have performed in blackface appalling and the names I ... <p class="read-more-container"><a title="From Blackface to Blaxploitation: Racism and Representation in Entertainment" class="read-more button" href="https://contemporaryracism.org/2998/from-blackface-to-blaxploitation-racism-and-representation-in-entertainment/#more-2998" aria-label="Read more about From Blackface to Blaxploitation: Racism and Representation in Entertainment">Read more</a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2998</post-id>	</item>
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